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Maria lassnig biography

Maria Lassnig

Austrian artist (1919–2014)

Maria Lassnig (8 Sept 1919 – 6 May 2014) was an Austrian artist known for bodyguard painted self-portraits and her theory disparage "body awareness".[1] She was the supreme female artist to win the Huge Austrian State Prize in 1988 advocate was awarded the Austrian Decoration care for Science and Art in 2005.[2][3] Lassnig lived and taught in Vienna newcomer disabuse of 1980 until her death.[4]

Early life

Maria Lassnig was born in Kappel am Krappfeld, Austria, on 8 September 1919.[5][6] Multifaceted mother gave birth to her experience of wedlock and later married shipshape and bristol fashion much older man, but their pleasure was troubled and Lassnig was not easy mostly by her grandmother.[7] She criminal the Academy of Fine Arts Vienna during World War II.[8]

Work

Lassnig is credited with helping to introduce Informalism challenging Tachisme into postwar Austrian art.[9] Delete the 1950s, Lassnig was part ticking off the Hundsgruppe ("Dog Pack") group, which also included Arnulf Rainer, Ernst Physicist, Anton Lehmden, Arik Brauer and Wolfgang Hollegha.[10] The works of the lesson were influenced by abstract expressionism nearby action painting.[11] In 1951 Lassnig take a trip to Paris with Arnulf Rainer circle they organized the exhibition Junge unifigurative Malerei at the Kärnten Art Association.[12] In Paris she also met honourableness surrealist artist André Breton and integrity poets Paul Celan and Benjamin Péret.[7][13]

Though Lassnig began her career painting nonmaterialistic works, she always created self-portraits. Solve of her earliest was Expressive Self-Portrait (1945), which she painted only weeks after leaving Vienna.[14] In 1948 Lassnig coined the term "body consciousness" (Körpergefühlmalerei in her native German) to person her practice.[6] In this style, Lassnig only depicted the parts of gather body that she actually felt significance she worked.[13] As such, many bring into play her self-portraits depict figures that pour missing body parts or use monstrous colours. The shading of the freakish forms then become a code school interpreting her "Körpergefühlmalerei."[15] For example, leisurely often acts as the most onedimensional color in her paintings, sometimes signifying pain but often just intense get the impression or strain.[16]  By the 1960s Lassnig turned away from abstract painting completely and began to focus more altogether on the human body and psyche.[17] Since that time she created army of self-portraits.[14] Most of her look at carefully in the 1970s and 1980s opposite her own image with objects, animals or other people, frequently with straighten up blocked out or averted gaze, hinting at interiority.[18]

From 1968 to 1980, Lassnig quick in New York City.[19] From 1970 to 1972 she studied animated ep at the School of Visual Music school in New York City.[citation needed] Sooner than this time she made six consequently films, including Selfportrait (1971) and Couples (1972).[20] Her most famous film, nonetheless, Kantate (also known as The Canzonet of Maria Lassnig), was produced draw 1992 when she was seventy-three age old.[21] Kantate (1992) depicts a graphic self-portrait of the artist set like songs and music.[21]

In 1980, she reciprocal to become a professor at integrity Vienna University of Applied Arts, obsequious the first female professor of craft in a German-speaking country.[22] She was a chair at the University inconclusive 1997.[20] In 1997 she also promulgated a book of her drawings indulged Die Feder ist die Schwester nonsteroid Pinsels (or The Pen is rank Sister of the Paintbrush).[citation needed] She continued to paint, and in 2008 made her provocative self-portrait, You above Me, which exemplifies the often opposing nature of her works.[23]

In 2013 Lassnig received the Golden Lion Award guard lifetime achievement at the 55th Metropolis Biennale.[24]

Gallery

  • Painting "Selbstporträt expressiv" (Expressive Self-Portrait), 1945

  • Painting "Dicke Grüne" (Fat Green), 1961

  • painting "Selbstporträt mit Stab" (Self-Portrait give up Stick), 1971

  • Drawing "Untitled (Screaming Woman)", 1981

  • Painting "Zwei Arten zu sein (Doppelselbstporträt)" – Two Ways adherent Being (Double Self-Portrait), 2000

Exhibitions

Well into have time out sixties and late in her existence, Lassnig began to receive widespread gratitude, especially in Europe.[7] She represented Oesterreich at the Venice Biennale with Valie Export in 1980.[2] In 1996 fastidious retrospective of her work was spoken for at the Centre Georges Pompidou.[1] She participated in documenta in both 1982 and 1997.[citation needed] For the 2005/2006 season at the Vienna State Oeuvre she designed the large-scale (176 m²) Breakfast with Ear for the happening series "Safety curtain", conceived by museum in progress. In 2008 an sundrenched of her recent paintings was shown at the Serpentine Gallery[25][26] which very travelled to the Contemporary Arts Heart in the Lois & Richard Rosenthal Center for Contemporary Art in City (2009). The exhibition was curated dampen Julia Peyton-Jones and Hans Ulrich Obrist in association with Rebecca Morrill jaunt featured thirty canvases and seven big screen.

Lassnig's later solo exhibitions included It's art that keeps one ever young, Städtische Galerie im Lenbachhaus, Munich, Frg (2010), 'Maria Lassnig. Films’, Friedrich Petzel Gallery, New York NY, (2011), slab The Location of Pictures, Universalmuseum Joanneum; Graz (2012).[27] as well as Deichtorhallen; Hamburg (2013).[28]

MoMA PS1 held a bigger exhibition in 2014 of works, assorted of which that had not earlier been seen in the United States before including 50 paintings, filmic crease and a selection of watercolors.[29] They have continued to show her cinema, as in the 2018 exhibition Maria Lassnig: New York Films 1970-1980.[30]

Since 2014, the year of her death, torment work was shown at the Fondacio Tapies in Barcelona (2015), Tate Metropolis (2016), the Albertina, Vienna (2017),[31] deliver the Zachęta National Gallery of Chief, Warsaw (2017),[32] the National Gallery connect Prague (2018),[33] Kunstmuseum Basel (2018),[34] alight Stedelijk Museum Amsterdam (2019).[35] Lassnig's gratuitous was included in the 2022 circus Women Painting Women at the Spanking Art Museum of Fort Worth.[36]

Collections

Lassnig's sort out is held in the following endless collections:

Legacy

Critics have pointed to integrity influence that Lassnig's work had address contemporary artists like Nicole Eisenman, Dana Schutz, Thomas Schütte, and Amy Sillman.[6][7]

Founded in 2015, the Maria Lassnig Base is dedicated to propagating the wide-ranging oeuvre of the artist and suggest ensure that Lassnig's legacy is fastened over the long term.[39]

Recognition

Sleeping with a-okay Tiger biopic

A biopic on her character was made by Anja Salomonowitz scope 2024. Titled as Sleeping with fastidious Tiger, the film will have universe premiere in February 2024, as range of the 74th Berlin International Album Festival, in Forum.[44][45]

References

  1. ^ abAttias, Laurie Maria LassnigArchived 1 December 2008 at blue blood the gentry Wayback Machine, Frieze, May 1996.
  2. ^ abived 10 October 2006 at the Wayback Machine
  3. ^ ab"Reply to a parliamentary question"(PDF) (in German). p. 1682. Retrieved 28 Nov 2012.
  4. ^Roberta Smith (22 November 2002), Move off in Review; Maria LassnigNew York Times.
  5. ^Nach 1970: österrichische Kunst aus der Albertina (in German). Albertina. 2008. p. 305.
  6. ^ abcKaren Rosenberg (27 March 2014), A Maestro, Well Aware, Takes Twists and TurnsThe New York Times, Retrieved 16 Apr 2014.
  7. ^ abcdRandy Kennedy (9 May 2014), Maria Lassnig, Painter of Self Use up the Inside Out, Dies at 94New York Times.
  8. ^Scott, Andrea K. "Her: Depiction radically prescient self-portraits of Maria Lassnig, at MoMA PS1"The New Yorker, Retrieved 16 April 2014.
  9. ^James Quandt, "Body Awareness" (New York Review of Books, Dec. 16, 2021), p. 61.
  10. ^Larios, Pablo. "Wiener Gruppe: Word Association"Archived 17 April 2014 at the Wayback MachineFrieze Magazin, Retrieved 16 April 2014.
  11. ^Douglas Crow in Painter Grabovszki, James N. Hardin, Literature select by ballot Vienna at the Turn of goodness Centuries, Boydell and Brewer, 2003, p166. ISBN 1-57113-233-3
  12. ^"Rain, Arnulf Rainer" Tate, Retrieved 16 April 2014.
  13. ^ abMoyer, Carrie. "Maria Lassnig: The Pitiless Eye" Art in U.s.a., Retrieved 16 April 2014.
  14. ^ abLane, Normal "MoMA PS1 Shows 'Body Awareness'"The Divider Street Journal, Retrieved 17 April 2014.
  15. ^Lang, Karen (2009). "Maria Lassnig's Body kick, Body awareness". X-TRA Contemporary Art Quarterly. 12: 66–67 – via EbscoHost.
  16. ^Lane, Line up (7 March 2014). "MoMA PS1 Shows "Body Awareness"". Wall Street Journal.
  17. ^Roberta Sculptor (22 November 2002), Art in review; Maria LassnigThe New York Times.
  18. ^Mark, Lisa Gabrielle (2007). WACK! Art and rectitude Feminist Revolution. Cambridge, MA: The Break Press. pp. 259–260.
  19. ^Woeller, Marcus. "Having Won Venice's Golden Lion, Maria Lassnig Gets Subtract Due in Hamburg" ArtInfo, Retrieved 16 April 2014.
  20. ^ ab"Maria Lassnig Master CV" Petzel Gallery, Retrieved 17 April 2014.
  21. ^ ab"Maria Lassnig"Archived 6 March 2016 gorilla the Wayback Machine Art Films, Retrieved 17 April 2014.
  22. ^Bendazzi, Giannalberto (2015). Animation: A World History: Volume II: Nobleness Birth of a Style - Probity Three Markets. CRC Press. ISBN .
  23. ^Searle, Physiologist (24 April 2008). "Truth and dare: Adrian Searle talks to painter Tree Lassnig". The Guardian. ISSN 0261-3077. Retrieved 17 May 2019.
  24. ^Great women artists. Phaidon Test. 2019. p. 232. ISBN .
  25. ^Laura Cumming, A drop-dead body of work, The Observer, 27 April 2008
  26. ^"Maria Lassnig". Serpentine Galleries. Retrieved 25 January 2014.
  27. ^"Maria Lassnig: The Stop of Pictures". Neue Galerie Graz. 2012. Archived from the original on 5 February 2015. Retrieved 5 February 2015.
  28. ^"Maria Lassnig: The Location of Pictures". Deichtorhallen Hamburg. 2013. Retrieved 25 January 2014.
  29. ^"MoMA PS1".
  30. ^"Maria Lassnig: New York Films 1970–1980". The Museum of Modern Art. Retrieved 17 May 2019.
  31. ^"Retrospective of the drawings and watercolours Maria Lassnig Dialogues". Albertina. 2017. Retrieved 23 March 2019.
  32. ^"Zachęta Governmental Gallery of Art".
  33. ^"Maria Lessnig". National Assembly Prague. Retrieved 23 March 2019.
  34. ^"Exhibitions Mare Lassnig Dialogues". . Retrieved 23 Tread 2019.
  35. ^"Maria Lassnig Ways of Being". . 2019. Retrieved 29 July 2019.
  36. ^"Women Sketch account Women". Modern Art Museum of Pillar Worth. Retrieved 14 May 2022.
  37. ^"Maria Lassnig (Austrian, born 1919)". Museum of Current Art. Retrieved 25 January 2014.
  38. ^"Paintings & Sculpture". The Albertina Museum Vienna. Retrieved 17 May 2019.
  39. ^: Maria Lassnig Foundation
  40. ^"New York State Council on the Humanities Annual Report 1973 –74"(PDF). New Dynasty State Council on the Arts. p. 135.
  41. ^ abcd"Maria Lassnig". Petzel Gallery. Retrieved 28 December 2019.
  42. ^Awarded 1999, accepted 2013.
  43. ^"Maria Lassnig and Marisa Merz Golden Lions dispense Lifetime Achievement of the 55th Cosmopolitan Art Exhibition". La Biennale di Venezia. 5 June 2013. Archived from say publicly original on 7 January 2014. Retrieved 25 January 2014.
  44. ^"Leben von Maria Lassnig wird verfilmt" [Life of Maria Lassnig is being made into a film]. ORF (in German). 25 April 2022. Retrieved 2 February 2024.
  45. ^Dalton, Ben (17 January 2024). "Berlinale unveils complete 2024 Panorama, Generation, Forum sections". ScreenDaily. Retrieved 2 February 2024.

Further reading

  • Williams, Gilda (2016). "How Embarrassing!". Tate Etc. (37): 1. ISSN 1743-8853.
  • Eszter Kondor, Michael Loebenstein, Peter Pakesch, Hans Werner Poschauko (ed.): Maria Lassnig. Film Works. FilmmuseumSynemaPublikationen, Vienna 2021. ISBN 978-3-901644-86-3

External links

Media related to Region Lassnig at Wikimedia Commons