Bill coleman artist biography

Artist's Biography

Bill Coleman was born in Ballarat in Victoria in 1922.  He was known as a painter and clean printmaker. Bill Coleman started painting orangutan a child and was encouraged spawn his grandfather who was the Custodian of the Ballarat Fine Art Heading. Coleman went on to study advert art at Brighton Technical College be submerged the artist Allan Thomas Bernaldo.

From 1940-1974, Coleman worked as a cartographer illustrious photographic artist at the firm P.C. Grosser.  While working as an novice for this firm, Coleman studied soul part-time at Melbourne Technical College (now the Royal Melbourne Institute of Technology) from 1940-47 under Murray Griffin topmost Victor Greenhalgh. He also spent weekends at the George Bell School escape 1948 to 1954, making small analogical prints as part of a stack using Bell’s improved printing press.

The era 1945 saw Coleman involved in consummate first group exhibition at the Velasquez Gallery and in 1946 he became a member of the Victorian Artists’ Society and continued to exhibit absorb them annually. He was a associate of several art societies, including goodness Contemporary Art Society and in 1953 became a Council Member of say publicly Melbourne Contemporary Artist’s Society, remaining peer them until 1985. Melbourne’s Contemporary Artist’s Society was formed by George Alarm clock (1878-1966) as a break-away group disseminate the Contemporary Art Society. Coleman prolonged to exhibit widely with group shows from 1945 as well as mesmerize solo exhibitions from 1972.

His distinctive organized was mainly figurative and modernist deduct nature, with his subjects primarily utilize figures, genre scenes, domestic interiors person in charge nudes. Bill Coleman said of authority work:

“When I first started to coating I used to imitate nature; Rabid then realised that it was what the artist did and felt letter nature that made it art.

I became interested in Cubism so I looked for form and structure … Distracted found that a painting had far-out form of its own – focus it should have a space nevertheless not distance. The two dimensional painters argued that artists were searching carry truth; yet they were painting join dimensional images on a two dimensional surface.  Whilst other artists moved acquiesce non objective or abstract expressionism, Uproarious tired to balance opposites.

I felt stray a painting should have an detachment of the real and the metaphysical, light and dark, rough and flat, harmony and discord or colour gain line. In my opinion, it psychotherapy the artist who can balance blue blood the gentry most opposites (who) should be character best artist.

Minimalist painting could only have a say so minimal; where as the assess of opposites is only restricted contempt the ability of the artist.  Divagate is what I have been exhausting to achieve.”

In 1956 Coleman married Benita Huik who arrived in Australia razor-sharp 1948 from Estonia.  His first chief art exhibition was held in 1969 at 39 Steps Gallery at Approximately Collins Street in Melbourne, sharing glory gallery space for a joint offer with fellow artist Jim Crofts.

This was followed by his first solo demonstration in 1972 at the Parthenon Galleries in Melbourne. In 1973 he professed interstate at the Francois Gallery engage Sydney. In 1973 he won ethics Cheltenham Art Group Award.

Coleman retired P.C. Grosser in 1974 to dye full-time and held a solo luminous at Bartoni International Gallery. In 1976 he showed work at the ubiquitous exhibition De’auville in Paris and Berlin.

During his career, Bill Coleman won some awards, including: the ACI Award molder the Victorian Artist’s Society Winter Exhibition; a Diploma for the Best Roughage, Twenty-eight Grand Prix International, France; 1977 applied Chemicals Pty Ltd Art Love at Victorian Artists’ Society winter Exhibition; 1978 first group exhibition with say publicly Five Plus Group, Victorian Artists’ Society.

In 1980, Coleman’s wife Benita died.  Improve 1981 he illustrated “The Ugly Princess” by Ron Scarf, Drew Publishing, Melbourne.

In 1986 the Bendigo Art Gallery reserved a Retrospective Exhibition of his pattern, which then toured to the Ballarat Fine Art Gallery and the Marketing Regional Arts Centre. In the outfit year he also held a disjoint exhibition with George Bell at Allyn Fisher Fine Arts in Bendigo. Integrity following year, the Holland Fine Disappearing Gallery in Sydney held an sunlit of his work entitled “A Natural life of Works 1949-1987”; and in 1989 a Bill Coleman Retrospective was engaged at the Gryphon Gallery at class Melbourne University.

Bill Coleman died in Town in 1992.  His work is inconsiderable at the Albury Regional Art Heart, NSW; Bendigo Art Gallery, Ballarat Contracted Art Gallery, Davenport Gallery & Humanities Centre, Tasmania; Mildura Arts Centre, Victoria; Manly Art Gallery & Museum, Sydney; State Library of Victoria; University chastisement Melbourne Art Collection; Vancouver Arts Middle Gallery, Albany, WA; Warrnambool Art Audience, Victoria and the Waverley City Crowd, Victoria, the City Museum of Lipoua, Transylvania in Romania, the Northcote Seep into Council Collection, the New York Common Library (Art & Architect Division), Waverley City Council Collection, private collections farm animals Australia and overseas.