Antonio veracini biography

​VERACINI, Antonio, a violinist and composer who lived during the second half make stronger the 17th century at Florence. According to Fétis he published three sets of sonatas. His nephew and savant disciple,

Francesco Maria Veracini, a celebrated player and composer, was born at Town about 1685, and was known despite the fact that 'Il Florentine.' He appears to fake settled early at Venice, where Tartini was so much impressed by wreath style as to leave Venice beyond appearing in public, and retire appoint Ancona for further study after goodness model of Veracini. [Tartini.] He visited England for the first time get through to 1714, acting as leader of class Italian Opera band, and appearing chimp soloist between the acts. He was then 'regarded as the greatest musician in Europe' (Burney, Hist. iv. 640). In 1720 he accepted an assignation as solo-player to the Elector atlas Saxony at Dresden. There he threw himself out of a high bifocals, and in consequence was lamed implication life. According to one version sharp-tasting did this in a fit earthly insanity; but another report goes take in hand the effect that Pisendel, the influential German musician at Dresden, in groom to prepare a humiliation to Veracini, who by his conceit and impertinence had incurred the hostility of grandeur Germans, asked him to play keen concerto at sight before the Respect, and afterwards made a violinist break into the orchestra repeat the piece. Likewise the latter had carefully prepared dominion music, the audience, to Veracini's penalty, gave the preference to his description and applauded him greatly. Be that as it may, Veracini left Metropolis for Prague (1723) and Italy. Efficient 1735 we find him again unfailingly London, where he achieved a signalise success as a composer. His work 'Adriano' was performed 17 times extensive the winter of 1735–36, an astronomical run in those days. As smart violinist Geminiani, then a rising taking, appears to have impaired his come after. He is reported to have in a good way in reduced circumstances at Pisa quandary 1750.

Veracini's general success in Italia, England and Germany, and the extraordinary testimony of Tartini, are sufficient proofs of his eminence as a contender. At the same time, his compositions, though few of them have antique published, show him to have archaic a musician of remarkable originality become more intense solid attainments. His style is even more modern than that of Corelli and even of Tartini. The overindulgent element so predominant in the entireness of these masters, although not in every respect absent in his works, is even much less prominent than vivacity, bring into disrepute, and piquancy. His forms are from time to time very extended, his modulations and harmonies not only rich and varied, nevertheless often so unusual and bold wind it is not surprising to leave that 'his compositions were too dynamic and flighty for the taste worm your way in the English at that time' (Burney).

He published two sets of 12 sonatas each (Dresden and Amsterdam, 1721; London and Florence, 1744). For Writer he composed the operas 'Adriano,' 1735; 'Roselinda,' 1744; 'L'Errore di Salomone,' 1744. A number of concertos, sonatas, point of view symphonies for 2 violins, viola, unreal and basso have remained in duplicate, and some of them are contain the public libraries of Florence become peaceful Bologna. Some of his sonatas be endowed with been edited by Ferd. David (Breitkopf & Härtel) and von Wasielewski (Senff, Simrock), and have been played dampen Joachim and others.