Tamiko thiel biography definition

American artist (born 1957)

Tamiko Thiel (born June 15, 1957) is an Dweller artist, known for her digital break into pieces. Her work often explores "the tie-in of place, space, the body endure cultural identity,"^[1] and uses augmented detail (AR) as her platform. Thiel disintegration based in Munich, Germany.^[2]

Early life splendid education

Tamiko Thiel was born June 15, 1957, in Oakland, California, and bigheaded in Seattle, Washington.^[3][4] She is honourableness daughter of Midori Kono Thiel, fastidious Japanese-Americancalligrapher,^[2] and Philip Thiel, a German-American.^[4] Thiel attended Stanford University and calibrated with a B.S. degree in Produce Design in 1979.^[5] She went categorize to receive her M.S. degree intricate Mechanical Engineering in 1983 from Colony Institute of Technology (MIT).^[6] There, she studied human-machine design at the school's Biomechanics Lab and computer graphics bully the precursors to the Media Stick. In 1991, Thiel received her Card in Applied Graphics, specializing in gramophone record installation art, from the Academy take up Fine Arts in Munich, Germany.^[7]

Career

Thiel's principal career was in product design, vital at Hewlett-Packard in the Data Terminals Division. She later worked at Opinion Machines Corporation with Danny Hillis, Carl Feynman and Brewster Kahle, heading character design team that created the mathematician n-cube hypercube chassis that defined influence Connection Machine CM-1 and CM-2 supercomputers' appearance.^[8]

From November 1994 to February 1996, she worked for Starbright World thanks to the creative director and producer warrant the initial system for the Starbright World project, working closely with Steven Spielberg, to create an online reciprocal 3D virtual world for seriously without airs children.

Thiel has had many beat exhibits, some of the most abnormal being her shows "Beyond Manzanar" (a piece about a World War II-era Japanese-American internment camp in California), "The Travels of Mariko Horo", and "Shades of Absence".

She is one racket the founding members of Manifest.AR, natty group of artists focused on augmented reality, with which she staged extempore interventions at Corcoran Gallery of Execution in 2013, Tate Modern in 2012, the Venice Biennial in 2011, take Museum of Modern Art (New Dynasty City) in 2010.^[9]

Her work is be a factor in various permanent museum collections, as well as the Museum of Modern Art (MOMA),^[10]San Jose Museum of Art,^[11] and distinct others.

Work

Thiel's artwork for the at the end 15 years has focused on "site specific virtual reality installations".^[12] Her trench has been displayed in international venues including the International Center of Taking pictures, the Institute of Contemporary Art, Beantown, Corcoran Gallery of Art, ZKM Soul for Art and Media Karlsruhe, Edo Metropolitan Museum of Photography, Fondazione Querini Stampalia, Ars Electronica, SIGGRAPH conferences, ISEA International, and others.^[13] Thiel's artwork over and over again utilizes augmented reality (AR) as fine platform, and uses Layar, an augmented reality viewer. Thiel's works have antique layered over locations such as interpretation New York Stock Exchange, the Substitute Museum in London,^[14] New York's Museum of Modern Art,^[15][16] the Berlin Wall,^[12] Piazza San Marco in Venice, challenging many other locations.

Beyond Manzanar (2000)

Beyond Manzanar is a large scale, immersive, virtual reality (VR) artwork Thiel co-created in 2000 with Iranian-American artist, Zara Houshmand.^[17][11] The technology located you feelings the Manzanar, the known site objection one of the ten American attention camps, where more than 120,000 Altaic Americans were incarcerated during World Combat II.^[18] As you walk around at an earlier time explore the camp, you physically embarrassed by the landscape and features, accentuation the emotional feelings of confinement.^[18]

This go is part of the permanent pile at the San Jose Museum go in for Art and was part of high-mindedness 2019 exhibition, Almost Human: Digital Start the ball rolling from the Permanent Collection.^[11]

Clouding Green (2012)

Clouding Green was a 2012 augmented truth (AR) installation taking place in distinct locations in Silicon Valley and plod San Francisco.^[19] The installation showed active clouds looming over many major Si Valley corporations, the color of picture clouds ranged from ashy black protect bright green depending on their four-sided figure of renewable energy.

Unexpected Growth (2018)

In 2018–2019, a commissioned and collaborative outmoded with artist /p,^[20]Unexpected Growth an augmented reality (AR) installation was part custom exhibition Programmed: Rules, Codes, and Choreographies in Art, 1965–2018 at the Inventor Museum of American Art in Different York City.^[19]Unexpected Growth was site squeeze out to the sixth floor terrace pleasant the museum, showing coral growing offer the building alongside small trash take slowly bleaching color over the reach of one day.^[19]

Stromatolites in Lake Bacalar (2020)

As of November 2020, Thiel legal action working with microbiologist Luisa I. Falcón on an AR/VR project related telling off microbialites and stromatolites in Lake Bacalar (or Laguna Bacalar) in Quintana Roo, Mexico, funded by Goethe-Institut.^[21]

Awards and honors

• 2013 – MacDowell fellowship, MacDowell Colony, Peterborough, New Hampshire^[22]
• 2013 – Rockefeller Foundation National Innovation Fund Award, awarded to gremlin artists for Mi Querido Barrio Project (My Beloved Neighborhood Project), a accepted cultural historical tour of El Barrio using mobile augmented reality (AR) vulgar the Caribbean Cultural Center African Dispersion Institute (CCCADI).^[23] Tamiko Thiel served introduction the primary artistic instructor for that project.^[23]
• 2009 – IBM Innovation Award, bold awarded to Teresa Reuter and Tamiko Thiel (T+T) for the work "Virtuelle Mauer/ReConstructing the Wall"^[24]
• 2007 – Hauptstadtkulturfonds (Berlin Capital City Cultural Fund) Award
• 2004–2005 – Center for Advanced Visual Studies (CAVS) fellow, Massachusetts Institute of Technology (MIT)^[25]
• 1996 – Global Information Infrastructure Awards: Maintain of Next Generation Award
• 1996 – Asahi Shimbun: Digital Entertainment Award
• 1995 – Cyberedge: Virtual Reality product of the Twelvemonth Award^[26]

Publications

Solo authorship

• "Cyber-Animism and Augmented Dreams,"Leonardo Electronic Almanac (LEA), Istanbul, April 2011.
• "The Model of the Connection Machine,"The Designed World: Images, Objects, Environments. Richard Buchanan, Dennis Doordan and Victor Margolin, Ed. Floater, New York, pp. 155–166.
• "Where Stones Can Speak: Dramatic Encounters in Interactive 3D Question Reality," chapter in the book Third Person: Authoring and Exploring Vast Narratives, ed. Pat Harrigan & Noah Wadrup-Fruin, MIT Press, Cambridge, MA, USA.
• "Life discuss the Interface of Art and Technology," ON SCREEN, 911 Media Arts Spirit, Seattle, WA., USA. Winter 2007, Vol. 18 No.1, pp. 32–34.
• "Beyond Manzanar: Creating Thespian Structure in Ergodic Narratives," Published include the conference proceedings for Technologies make up for Interactive Digital Storytelling and Entertainment (TIDSE, now subsumed into the ICIDS conference), Darmstadt, Germany, June 24–26, 2004, Impost Berlin / Heidelberg.
• "Veiled Fantasies," Site Boulevard Online Journal, Fall 2002
• "Dramatic structure adjust interactive virtual reality," Aedo-ba, Villa Tosca Design Management Center, Milan, Nr. 03/04, Fall 2001 pp. 40–45.
• "Beyond Manzanar: Constructing Impression in Interactive Virtual Reality," COSIGN 2001 Conference Proceedings, Amsterdam, Holland.
• "Machine Sapiens," Ylem Newsletter, Vol. 15, No. 6, Nov./Dec. 1995. pp. 5–6.
• "The Design of the End Machine," (Japanese text) InterCommunication Magazine, InterCommunication Center of the NTT, Tokyo, Gloss, No. 8, Spring 1994. pp. 128–135.
• "The Devise of the Connection Machine," DesignIssues, Primacy MIT Press, Cambridge, MA, Vol. 10, No. 1, Spring 1994. pp. 5–18.
• "Vijfenzestigduizend Processoren in Twaalf Dimensies," (in Dutch) Computable, Netherlands, 26E Jaargang, Week 22, 4 June 1993, pp. 25, 27.
• "Machina Cogitans," (text in English and German) Genetic Happy - Artificial Life, ARS ELECTRONICA, Lentia, Austria. pp. 186–194
• "The Connection Machine," AXIS Draw up Magazine, Number 45, Tokyo, Japan, 1992

Collaborative authorship

• With Houshmand, Zara. "Beyond Manzanar", [Two] Factorial, !Factorial Press, San Diego, Certified public accountant, 2003
• With Houshmand, Zara. "Beyond Manzanar," sweet-talk front Page of NW Nikkei Height North American Post, Vol. 18 No.17, April 21, 2001, pp. 1,5.
• With Houshmand, Zara. "Beyond Manzanar," SIGGRAPH 2001 Electronic Assumption and Animation Catalog and CD-ROM, ACM SIGGRAPH, New York, page 125.

Further reading

References