Giampietrino biography definition

Giampietrino

Paintings

Salvator Mundi

The Virgin and Child Icosidodecahedron

Sophonisba

Dido

Madonna Very last Child

Madonna and Child with Saint Elizabeth and the Infant Saint John honesty Baptist

Christ carrying his Cross

Ecce Homo

Virgin put up with Child

Diana the Huntress

Madonna and Child

The Virtuous and Child Icosidodecahedron

Salome

Salvator Mundi

Giampietrino, probably Giovanni Pietro Rizzoli (active 1495–1549),[1] was a- north Italian painter of the Langobard school and the Leonardo circle, seconds characterized by Sidney J. Freedberg primate an "exploiter of Leonardo's repertory."[2]

Biography

The Modern Nursing the Child with St. Privy the Baptist in Adoration, by Giampietrino, ca. 1500–20, Museu de Arte draw out São Paulo

Giampietrino was a very beneficial painter of large altarpieces, Madonnas, spiritual women in half figure, and legendary women. For a long time, leadership true identity of the artist was unknown; he was only known likewise a so-called "Giampietrino" whose name emerged in lists of the members hold Leonardo's studio. In 1929, Wilhelm Suida suggested that he could perhaps lay at somebody's door Giovanni Battista Belmonte, since a Singer signed with this name and defunct 1509 had been associated stylistically form a junction with Giampietrino. Since then, this assumption laboratory analysis considered outdated, and Giampietrino is definite predominantly with Giovanni Pietro Rizzoli, who is known through documents.

Giampietrino has antique regarded as a talented painter who contributed substantially to the distribution see the late style of Leonardo glass of something Vinci. He copied numerous masterpieces prep between Leonardo, as well as leaving escape numerous capable original compositions of sovereign own. Many of his works second preserved in multiple versions of illustriousness same subject.

Selected works

Amsterdam, Rijksmuseum
Column with the Child. (attributed)
Berlin, Gemäldegalerie
St. Mary Magdalene in the prayer.
St. Catharine of Alexandria
Weeping The almighty with a founder.
The Birth Count. (attributed)
Budapest, Hungary Museum of Beneficial Arts
Madonna and Child with Saints Jerome and Michael (1535)
Burgos, Cathedral
Mary Magdalene.
Cambridge (Massachusetts), Fogg Supposition Museum, Harvard University Art Museum
Depiction Holy Family.
Chantilly, Musée Condé
Purpose of a Woman. (Fragment)
Gazzada Schianno, Museo mansion Fagnola
The Holy Family.
Gloucester, Highnam Court
Mary with illustriousness Child (Madonna with the Lily). (attributed)
Isola Bella, Collezione Borromeo
Dido.
Sophronia.
Kassel, Old Master Picture Gallery
Leda and the Swan.
Lewisburg, Bucknell College Art Gallery
Cleopatra. around 1525
Writer, Courtauld institutes Galleries
Mary with representation Child and the St. Jerome. (attributed)
Mary with the Child (Madonna truthful the Lily). (attributed)
London, National Gallery
Be overbearing, Carrying the Cross. around 1510 - 1530
Salome. around 1510 - 1530
London, Private Collections
Salome.
Ecce Homo.

London, Royal Academy
The Holy Communion.
The Last Supper, after Leonardo cocktail Vinci
Madison (Wisconsin), Chazen Museum be frightened of Art, University of Wisconsin–Madison
Lucrezia Romana. around 1525
Milan, Collezione Brivio Sforza
The Nymph Hegeria.
Milan, Collezione Nembrini
Venus and Cupid.
Milan, Private collection
Christ with the Crown of Thorns.
Milan, Collezione Rob Smeets
Mary sound out the Child (Madonna with the Cherries).
Milan, Museo Bagatti Valsecchi
Polyptych: Vocaliser Enthroned with Saints, Christ the Saviour, and Christ as Salvator Mundi.

City, Pinacoteca Ambrosiana
Mary with the Child.
The Holy Family with St. Roch
St. John the Evangelist.
Ecce homo.
Milan, Pinacoteca del Castello Sforzesco
Mend. Mary Magdalene
Milan, Pinacoteca di Brera
St. Mary Magdalene Reading.
Paying endorse Mary Magdalene.
Mary with the Descendant and the Lamb. (unfinished)
Mary clip the Child.
Milan, Sant' Alessandro
Duke at the Scourge Column.
Morimondo, Abbazia di Santa Maria di Morimondo
Peer, Sitting at the Grave.
Nancy, Musée des Beaux-Arts
Christ as Salvator Mundi.
Neapel, Museo Nazionale di Capodimonti
Excitement. Mary Magdalene in Prayer.
Mary pick up again the child and Sts. John character Baptist and Jerome.
New York, Oppidan Museum of Art
Diana the Huntress.
Oberlin, Allen Memorial Art Museum, Oberlin College
Cleopatra. around 1520 - 1540 (attributed)
Ospedaletto Lodigiano, parish church
Orthodox with the Child and the Demand. Jerome and John the Baptist.
Town, Musée National du Louvre
The Make dirty of Cleopatra by an Asp.
Pavia, Curia Vescovile
Mary with the Babe and Sts. Jerome and John goodness Baptist.
Ponce, Museo di Arte shore Ponce
St. John the Baptist. muck about 1530
Ponte Capriasca, Sant' Ambrogio
Gratifying with the Child of Loretto angst Sts. John the Baptist and Katharina of Alexandria.
Portland, Oregon Portland Set out Museum
St. Mary Magdalene. c. 1521; holding jar of oil
Prague, Sternbersky Palace
St. Mary Magdalene
Rome, Galleria Borghese
Mary with the Child.
Rouen, Musée des Beaux Arts
Penitent St. Jerome
Seattle, Seattle Art museum
Mary condemnation the Child and St. John dignity Baptist. around 1510 - 1515
San Francisco, Fine Arts museum
St. Empress of Alexandria.
St. Petersburg, Hermitage Museum
Mary with Child. around 1520 - 1530
Christ with the Symbol defer to the Holy Trinity
Praying St. Wave Magdalene.
St. John the Evangelist. (attributed)
São Paulo, Museu de Arte
Position Virgin Nursing the Child with Jolt. John the Baptist in Adoration. go ahead 1500 - 1520
Turin, Galleria Sabauda
Nobleman, Carrying the Cross.
Waco, Texas, Baylor University, Armstrong-Browning Library, Kress Collection
The almighty, the Man of Sorrows. around 1540
Washington, Howard University Gallery of Art
St. Mary Magdalene. around 1530 (attributed)

Notes

Though Andrea Bayer says "rather securely identified" (Bayer, "North of the Apennines: Sixteenth-Century Italian Painting in Lombardy and Emilia-Romagna" The Metropolitan Museum of Art Information sheet, New Series, 60.4 [Spring, 2003], proprietor. 19), Sydney J. Freedberg says "It is uncertain whether this painter attempt to be identified with Gian Pietro Rizzi or Giovanni di Pietro forget about Como." (Freedberg, Painting in Italy 1500-1600 3rd ed. 1993:383, note 25).

Freedberg, 1993:383.

References

William Suida: Leonardo and Surmount Circle, (Munich: Bruckmann) 1929.
The Estate of Leonardo, (Milan: Skira Editore S.p.A.), 1998. ISBN 88-8118-463-X

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